#Luscious jackson fever in fever out songs pro#
A hoops fan and player, she wrote the song about a series of dreams she had about the pro basketball franchise. One of the songs that got trimmed was a Glaser track about the New York Knicks. We did have songs that were going to be on the record, but they just didn’t quite fit in.” “It’s basically about making a good concise record as opposed to keeping everyone happy. I was one that did step back quite a bit. “You can’t keep piling people on and everyone still have the impact they did. “When you hire a producer and you have a lot of record company involvement, certain people do have to step up and certain people have to step back,” Glaser said. Glaser is disappointed, though, over her own diminished role in creating “Fever In Fever Out.” Glaser calls this unlikely union “totally great.” Harris “has a beautiful voice,” Glaser continued. Lanois also recruited country’s venerable Emmylou Harris to contribute vocals on three tracks on the album. (It was, however, completed in a more spacious studio in New Orleans.) “Fever In Fever Out” was recorded largely in drummer Kate Schellenbach’s small, Manhattan apartment. Plus, Glaser said, they admired the Quebec-born producer’s predilection for working in unorthodox places. Group members decided to team up with Lanois because they shared a creative and personal compatibility. (Its first two discs were produced by the band, along with friend and collaborator Tony Mangurian, who also contributes to the new album.) Daniel Lanois, who is best known for his work with U2 and Peter Gabriel, was enlisted to help bring a new flavor to the Luscious Jackson sound. “Fever In Fever Out” represents the first time Luscious Jackson has teamed up with an outside producer. Folk, psychedelic, funk and jazz are among the elements that color some of the songs. The material may be more reflective than combustive, but the musical details and influences are still varied. However, it would be a mistake to call “Fever In Fever Out” a conventional-sounding pop record. Before, we would jam or I would bring in music and she would write lyrics over them or we would get samples and write vocals over them.” “Jill did a lot of the songs with guitar and vocals,” said Glaser, who first met Cunniff when they were wide-eyed teenagers exploring the New York City club scene. Though most of the group’s previous songs represented collaborations between band co-founders Glaser and singer-guitarist Jill Cunniff, much of the new material was written solely by Cunniff. In its 1994 debut full-length album, “Natural Ingredients,” the quartet honed and spit-shined its urban sound and groove.īefitting a band with wide-ranging musical tastes, Luscious Jackson has altered its approach with its third and most recent disc, “Fever In Fever Out.” This time, the music is generally mellower and more traditionally structured than its harder-edged, sample-heavy songs from the past. Mixing sharp hip-hop grooves and inventive samples with jazz, R&B, pop and rock influences, the record drew immediate critical praise. It’s little wonder that Luscious Jackson’s “In Search of Manny” EP, the band’s 1992 debut disc, appeared to be a work that could only have arisen from the eclectic hustle and bustle of Manhattan. Tonight, Luscious Jackson brings its richly varied sounds to Galaxy Concert Theatre in Santa Ana. It was a fantastic time for a young brain to be influenced by music.” “There was just so much exposure to great stuff.
“Back in the early ‘80s, one night you would be at a hip-hop club, the next night you would be at a Bad Brains show, the next night you would be at a reggae club,” Luscious Jackson guitarist-vocalist Gabby Glaser reminisced.
Growing up in New York City, the future members of Luscious Jackson couldn’t help but absorb diverse musical influences as the young women hopped from club to club.
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